Synopsys:

 

A young boy recites Stevie Smith’s famous homonymous poem, which is reinterpreted and illustrated through personal archival footage to portray a child's struggle with his disability.

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Statement:

 

This work experiments with an "aesthetic of trauma" - in an exercise of resignification where an objective record of a mundane situation - a boy swimming in a pool - turns into a more “accurate” representation of what was beneath the surface: a trauma evoked by distortions in sound and image that (re)construct the subjective realism of a body in tension with itself.

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As suggested by its title, the video art appropriates the poem "Not Waving But Drowning" (Stevie Smith, 1957) to construct a visual poem, using Smith's text as narration/internal monologue.

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To represent myself, I invited a child from my family to recite the titular poem. Their voice creates an auto-fictional author-persona, suggesting a connection between the narrative voice and the visual body. This exercise in impossible self-insertion serves as a means to confront personal trauma.